If all that fancy stuff about Fets really grabs you the have a looksee here;
http://www.till.com/blog/archives/2004/12/interesting_lin.html
IMO, No matter how slick you make it look/sound most of this stuff tends to miss the point.
Distortion of active commponents is only one small part of a very big picture.
My attention would be aimed at tone shaping of each each and every stage from input to speaker.
exact replication of a troide will sound rather boring with a flat response.
Another thing worth noting;
Impedances dramatically alter when driving Valve amps into OD/comp/dist.
I'm not clever enough to give exact exacts but I can give a classic example of this effect.
If you ever find yourself in front of a really old model Marshall (not the crap sold now)
Then play at *Low volume (2/3)* and tweak the tone controls around. You know, turn knob play turn knob play, try every possibility.
*Pay very close attention to How much the tone control effects the sound.*
NOW crank the Volume to 7/8/9.
Go back and start turning the tone knobs again.
If you've never done this,,You will be quite dumbfounded at how little effect the controls now have. (they are almost not working anymore)
THIS is part of the mojo magic of those old valve amps.
Better qualified folk might like to explain the details but from my understanding it's the loading effect of *High Impedance, High volatage* circuits.
From what I've read the *Internal impedances* dramatically fall when the whole circuit is under load. This changes the the *Tone shape* Hence also alters the colour of the distortion produced.
This phonomina happens to all the old valve amps, just very noticable in Marshalls.
Back to SS Emulation; IME You can achive quite stunning results just by a few simple tone tricks using basic SS circuits.
BTW, if it interests you my circuits produce the above mentioned quirk much like a Marshall rig.
Well lets just say I'm *more* than happy.
Phil.
http://www.till.com/blog/archives/2004/12/interesting_lin.html
IMO, No matter how slick you make it look/sound most of this stuff tends to miss the point.
Distortion of active commponents is only one small part of a very big picture.
My attention would be aimed at tone shaping of each each and every stage from input to speaker.
exact replication of a troide will sound rather boring with a flat response.
Another thing worth noting;
Impedances dramatically alter when driving Valve amps into OD/comp/dist.
I'm not clever enough to give exact exacts but I can give a classic example of this effect.
If you ever find yourself in front of a really old model Marshall (not the crap sold now)
Then play at *Low volume (2/3)* and tweak the tone controls around. You know, turn knob play turn knob play, try every possibility.
*Pay very close attention to How much the tone control effects the sound.*
NOW crank the Volume to 7/8/9.
Go back and start turning the tone knobs again.
If you've never done this,,You will be quite dumbfounded at how little effect the controls now have. (they are almost not working anymore)
THIS is part of the mojo magic of those old valve amps.
Better qualified folk might like to explain the details but from my understanding it's the loading effect of *High Impedance, High volatage* circuits.
From what I've read the *Internal impedances* dramatically fall when the whole circuit is under load. This changes the the *Tone shape* Hence also alters the colour of the distortion produced.
This phonomina happens to all the old valve amps, just very noticable in Marshalls.
Back to SS Emulation; IME You can achive quite stunning results just by a few simple tone tricks using basic SS circuits.
BTW, if it interests you my circuits produce the above mentioned quirk much like a Marshall rig.
Well lets just say I'm *more* than happy.
Phil.