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KMG SS Poweramps

Started by THChrist, December 28, 2010, 11:02:15 PM

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THChrist

Hello everybody.

It's been a while since my last visit. I've been investigating about some tube preamps, since i've been wanting to have a multiple preamp with lots of modes and shinny lights.

But I'm also lookin for a poweramp to use my preamp. I've been considering lots of poweramps: Chips (TDA/LM), transistors (ála Randall), 5w Single Ended (AX84), 20w SE, 20w Push-pull, etc.

Today I was checkin' my bookmarks and found this site i visit a couple of months ago: http://milas.spb.ru/~kmg/index_en.html

He's an active member of freestompboxes, and has some pretty interesting stuff. Guy knows his biz. And they were two projects: a Fet Micro poweramp for recording (and or practice); and some Fet poweramps. And a Celestion V30 Simulator. Three projects, like I said.

I just wanna know if anyone at this forum is familiar with those projects, if someone has build 'em and have any opinion.

The Micro PA looks pretty interesting. Is a kind o' transistorized version of a Marshall PA, includes OT, V30 Speaker Sim and Speaker Saturation Simulator.


Here are the links:

Micro PA
http://milas.spb.ru/~kmg/microfetpa_en.html

Fet PA
http://milas.spb.ru/~kmg/fetpa_en.html

http://www.freestompboxes.org/viewtopic.php?f=2&t=9487
http://www.freestompboxes.org/viewtopic.php?f=13&t=8582

J M Fahey

 Hi tchrist.
Those are interesting ideas, very experimental and quite far from a finished product.
Not bad as a concept, but the waveforms he shows are SS type :(, not tube type, so the main object of getting so complex and expensive (just ask for a quotation on his output transformers) is not achieved.
No te rompas la cabeza contra una pared.
Just build a tried and true chip amp, from 5 to 150W; *or* a real tube one; again from 5W to 100W, and experiment with the preamp, stomp boxes, etc.
Good luck.

teemuk

#2
I don't know... to me at least the MicroPA output looks pretty much like one coming from a generic tube amp: somewhat rounding up on the clipping onset and it even features the same type of crossover/blocking distortion mechanism due to shifting bias point. But, I think those scoped waveforms are either from running to a resistive load or the amplifier's response stays fairly linear regardless of load impedance. So the mechanism where amp's gain interacts with a reactive load is not showing up in there. Otherwise, it pretty much nails the "PP tube power amp thing".

phatt

Hello tchrist,
Not sure where your heading but I agree with JM Fahey's last post. 8|
That stuff is Way to complex for little benifit as a tube power stage will still be better.

I did have a listen to the clip, Turning the knobs did little to effect any real change in sound.
Also a servere lack of bass but that's a matter of taste.

A note on tube preamps ,, it's a dog chase tail thing as the real benifit of Valves is in the power stage not in the preamp stages.
So if you want to throw money at something then build a Valve power stage and leave all the tricky complex preamp stuff for SS. Cheaper and Easier to fault find for the hobby types.
These days anything with an AX7 inside a preamp will sell.
IME, Complex valve preamps are no better than what can be done with transistor/chip circuits.
Sure if money is no object then go nuts but the cost is significantly higher with Valves.
Phil.

THChrist

#4
Thanx everybody.

Well, the Fet PA looks interesting and the clips got me thinkin' about 'em. What i wanna do is a series of modules, pretty much like those old modular stereo systems you used to put one over the other.

I cannot afford expensive preamps, rack effects or tube amps. But near to chinatown we have a place called "Paruro". Blocks and blocks invaded by stores and galleries dedicated to sell and/or make electronic components. In example, the power transformer, winded by hand, can cost me ~US$20.

Quote from: J M Fahey on December 29, 2010, 05:31:52 AM
Hi tchrist.
Those are interesting ideas, very experimental and quite far from a finished product.
Not bad as a concept, but the waveforms he shows are SS type :(, not tube type, so the main object of getting so complex and expensive (just ask for a quotation on his output transformers) is not achieved.
No te rompas la cabeza contra una pared.
Just build a tried and true chip amp, from 5 to 150W; *or* a real tube one; again from 5W to 100W, and experiment with the preamp, stomp boxes, etc.
Good luck.

Quote from: phatt on December 29, 2010, 07:52:50 AM
Hello tchrist,
Not sure where your heading but I agree with JM Fahey's last post. 8|
That stuff is Way to complex for little benifit as a tube power stage will still be better.

I did have a listen to the clip, Turning the knobs did little to effect any real change in sound.
Also a servere lack of bass but that's a matter of taste.

A note on tube preamps ,, it's a dog chase tail thing as the real benifit of Valves is in the power stage not in the preamp stages.
So if you want to throw money at something then build a Valve power stage and leave all the tricky complex preamp stuff for SS. Cheaper and Easier to fault find for the hobby types.
These days anything with an AX7 inside a preamp will sell.
IME, Complex valve preamps are no better than what can be done with transistor/chip circuits.
Sure if money is no object then go nuts but the cost is significantly higher with Valves.
Phil.

I know it is too complex (but I'm in denial)  and with half the effort/components I could build a small chip amp. The knobs where almost useless; and I know most of the "valve" sound comes from the powertubes. But I hear it telling me "build me, c'mon..."

I saw lots of youtube videos with DIY JCM800 preamps (only) and they sounded good. And I was expecting some kind of PA to get me closer to tube sound. There are some guys who built those JCM800 2203-style preamps and used chipamps. They sounded good, but there was something missing.

Quote from: teemuk on December 29, 2010, 07:34:19 AM
I don't know... to me at least the MicroPA output looks pretty much like one coming from a generic tube amp: somewhat rounding up on the clipping onset and it even features the same type of crossover/blocking distortion mechanism due to shifting bias point. But, I think those scoped waveforms are either from running to a resistive load or the amplifier's response stays fairly linear regardless of load impedance. So the mechanism where amp's gain interacts with a reactive load is not showing up in there. Otherwise, it pretty much nails the "PP tube power amp thing".

Now, your opinion kinda clashes with Fahey's and Phil's. And somehow, feeds my obssession. Could you tell me more about it? I see the values of the micro PA and they're pretty Marshall to me (470ohm, 10k, 4k7 tail resistor, 220k bias splitter, etc), but the structure is slightly different. And while the 5w Fet PA uses the same structure as a Marshall, it has different values. Do you have any sugestion or explanation for that?

Thank you to all three, and please, excuse my lame english and my OCD. And happy new year to all of you.


J M Fahey

Hi tchrist.
I'm not "clashing" with our friend teemu's opinion (far from it), because I simply didn't even *look* at the "small" Fet amp, just went straight to the "big" one, where I saw no curve bending, bias shifting, etc. at all, at least in the scope images posted by the author.
All I saw there is a little top rounding, *very* easy to get by far simpler means.
And the "tube artifacts" are generated in a far better way by the excellent Transtube circuit.
Maybe driving a real world speaker things change.
Differences of  *opinion*?
Sometimes yes, and that's good, or the World would be quite boring.
If you can get that transformer wound for such a low price, and build the amplifier, go for it, and post results here.
Happy Xmas and New Year to everybody, y felices fiestas para ti.



THChrist

Quote from: J M Fahey on December 29, 2010, 04:10:16 PM
Hi tchrist.
I'm not "clashing" with our friend teemu's opinion (far from it), because I simply didn't even *look* at the "small" Fet amp, just went straight to the "big" one, where I saw no curve bending, bias shifting, etc. at all, at least in the scope images posted by the author.
All I saw there is a little top rounding, *very* easy to get by far simpler means.
And the "tube artifacts" are generated in a far better way by the excellent Transtube circuit.
Maybe driving a real world speaker things change.
Differences of  *opinion*?
Sometimes yes, and that's good, or the World would be quite boring.
If you can get that transformer wound for such a low price, and build the amplifier, go for it, and post results here.
Happy Xmas and New Year to everybody, y felices fiestas para ti.




I didn't mean "clash" in a bad way. Differences of opinion are mandatory in order to evolve. For what i know, the designer of the small PA wounded his own TF (if you look at the page for the small amps, you'll see there are few windings). I respect everyone's opinion and i take in consideration that english is not our first language (at least to both of us and Teemu, don't know if Phil's 1st language is english)

I just asked the guy who designed for some info. It looks like this 2011 I'll need money, so I better start selling my body, ha ha.

Que planes para año nuevo?

phatt

#7
Hi THChrist,
           Well if all you really want to do is play the guitar then you can waste so many years trying to perfect an amp (Glass or Sand) you may forget how to play the instrument by the time you finish.

I make a personal point of not bothering very much with *One Off* builds/sites that claim or even imply they found the holy grail circuit.
Unless they have evidence of there inventions being used by live working musicians or have built quite a few.

The amount of times I've got excited over circuits at home only to find in real world working situations they never deliver.  :'(

Want to see my shed full of land fill circuits (spare parts bin now) ;D

In close to 30 years of messing with circuits only 3 or 4 of my inventions are worth a mention. (All posted here I should Add, check under schematics) I would not be so cruel as to post circuits that I knew had possible shortcomings.

You mentioned power tube sound so here is a little trick I did many years ago you might wish to try which will open your eyes about powertube sound.

I simply took a small little 20 watt SS Amp and wired a series lamp limiter into the Mains power cord which produces quite convincing power amp compression.

Caveat; The Amp circuit needs to be very simplistic for this to work.
i.e no onboard digital FX and fancy switching circuitry.

You loose some wattage but the saggy compressed sound is very reminicant of tube power stages.

At times I wish I'd kept that litte amp it was so much fun for small gigs,, as I
needed no pedals,, just a straight rock sound with nice rattle and comp when driven hard.
The draw back, just like early small valve amps they sound great but only at one Volume level.

IMO the difference between a good or bad amp (Any type) can be mostly put down to
tone shaping. i.e how and where in the circuit these tricks are implimented can make
a massive difference.
Just hanging the Marshall value resistors off a semi conductor wired up the same way
shows little understanding of how to make good amplification.

I won't mention names but a lot of fet preamp circuits have become so popular because they use close to exact values as those used on some famous Valve circuits and again they are far from ideal as good *Reliable* circuits.
Yes they work but often the SNR is horrendous because they just hang 1 meg resistors
off every gate like a valve Amp and high gain on high imp = massive noise.

Try reading some of this stuff before you travel down the complex path.
Humans have a habit of insisting that complex problems must have complex answers and
often even the experts can miss a really simple idea.

http://www.amptone.com/truesecretofamptone.htm

A bit dis-jointed in places and rather long winded but it covers a lot of questions
that folks like you ask.

I may not agree with all of it but I'm sure it won't take long to catch on.
anyway I'm just rambling on so time I went.
ps, I only speak 2 languages, English and Oztrayland :P
Phil.

phatt

Hi forgot to mention;
Go to the index at Amptone and trawl through the masses of ideas.
http://www.amptone.com/index.html
Sorry no flash stuff just mainly text,, So You will be there for a long time :-*

Although it focuses on tube amps and attenuation most of it is still just as relivant for an all SS rig.
Phil.

KMG

QuoteNot bad as a concept, but the waveforms he shows are SS type :(, not tube type, so the main object of getting so complex and expensive (just ask for a quotation on his output transformers) is not achieved.Just build a tried and true chip amp, from 5 to 150W; *or* a real tube one; again from 5W to 100W, and experiment with the preamp, stomp boxes, etc.
Good luck.
Several notes about differences between commonly used ss poweramps and tube ones.
Simple chip poweramps usually use very deep negative feedback. This leads to in first to very hard signal clipping & in second to very low PA output impedance.
Maybe first is not so important for modern sound styles which doesn`t use PA overdrive, but for vintage sound it maybe one of the first in creating sound. For example Marshall superlead plexi doesn`t have master volume, so PA begins to overdrive far from preamp overdrive.
Low output PA impedance lead to hard speaker dumping, that doesn`t allow cabinet to "breathe".
Look at frequency response of transformer output fet PA loaded on active load and cabinet (voltage on PA output).


joecool85

Wow, excellent first post KMG.  Welcome aboard!
Life is what you make it.
Still rockin' the Dean Markley K-20X
thatraymond.com

KMG

Answer to question:
Quote from: crane on January 19, 2011, 04:56:22 PMI was also wondering if KMG would be so nice and post some more info about winding those nice output trafos for his FET power amps...
Number of turns in transformer windings on page "Fet power amplifier with transformer output" is given only for reference, because I think that you could not find exactly the same core (cross section & Bmax). So you need to calculate windings for your core parameters. Calculations are exactly the same as for the tube PP transformer. If you have calculator for tube PP transformer you can use it for calculation. Calculations based on primary coil impedance Ra-a (given on my page for each PA), desired lowest frequency (i calculate for 50Hz), core geometry & core material Bmax. Unfortunately i have articles about trnsformer calculations only in Russian.

KMG

If you wish to design your own fet PA, you can use my program to select primary impedance for desired power and supply voltage.


Ra - impedance of half primary winding (1/4 Ra-a)
Vsupply - power supply voltage
Sig Max % - signal amplitude (100% is maximum signal without distortion)
Vsat - fet saturation voltage at peak current
Id0 - idle current
Average Pd - Average drain power (for one side of PP, halfwave)
Average Pl - Average load power (fullwave, but without taking into account efficiency of the transformer)
Average Id - Average drain current (for one side of PP, halfwave)
Peak Pd - Peak drain power (instantaneous)
Peak Id - Peak drain current (instantaneous)

KMG

Scalable down 40W version (Primary coil impedance Ra-a = 200 ohms)

J M Fahey

Hi KMG, thanks for posting your impressive work. :tu:
To be redundant, I also was very impressed about your "day job" too, apparently into mass transportation industrial electronics.
Please tell us something about that.
As of 
QuoteUnfortunately i have articles about trnsformer calculations only in Russian.
feel free to post some links, math is universal and text can be translated through Internet services, although sometimes it can be more garbled and obscure than the original language.  xP
Thanks in advance. :D