Thanks Phil...
as soon as possible i will try the phabbtone and DDC.
the circuit i posted was an idea close to some circuit i found
on the web that gives the curve of a treble booster.
http://www.elecfree.com/circuit/tone-control/treble-booster-by-741/
(but i used it accidentally after the distortion and sounded good)
i found it very useful together with a traditional baxandall to get
marshall 4x12 when using HEADPHONES...
as you mentioned it has a fall after 4Khz... and the curve grows evenly till
it gets the peak on 4khz.
I mixed ac/dc music on headphone to ensure that my ears could not lie to me....
Considering the huge amount of diferent conditions that my humble room/laboratory
is from ANGUS stage, i found it very useful....
The hard stuff is to get the sound when the volume is not
very much high (i don´t know how to say).
the kind of compression that makes tube amps very famous..
When touch hard the string and the notes sounds like screaming...
very famous at blues genre... sounds very natural...
maybe because of compression caused by interraction between
phase splitter and output tubes...
I was not aware of the fact that you said about cranking marshalls and tone controls...
I am actually finding digital software with graphic equalizer very useful to help to understand what we need... One good example is Cool Edit (just to mention one)...
thanks again. hope some body enjoy your ideas too...
as soon as possible i will try the phabbtone and DDC.
the circuit i posted was an idea close to some circuit i found
on the web that gives the curve of a treble booster.
http://www.elecfree.com/circuit/tone-control/treble-booster-by-741/
(but i used it accidentally after the distortion and sounded good)
i found it very useful together with a traditional baxandall to get
marshall 4x12 when using HEADPHONES...
as you mentioned it has a fall after 4Khz... and the curve grows evenly till
it gets the peak on 4khz.
I mixed ac/dc music on headphone to ensure that my ears could not lie to me....
Considering the huge amount of diferent conditions that my humble room/laboratory
is from ANGUS stage, i found it very useful....
The hard stuff is to get the sound when the volume is not
very much high (i don´t know how to say).
the kind of compression that makes tube amps very famous..
When touch hard the string and the notes sounds like screaming...
very famous at blues genre... sounds very natural...
maybe because of compression caused by interraction between
phase splitter and output tubes...
I was not aware of the fact that you said about cranking marshalls and tone controls...
I am actually finding digital software with graphic equalizer very useful to help to understand what we need... One good example is Cool Edit (just to mention one)...
thanks again. hope some body enjoy your ideas too...